Leonidas Kavakos

Leonidas Kavakos, a celebrated violinist from Athens, Greece, has been captivating audiences since 1967. Renowned for his technical brilliance and emotive performances, Kavakos has established himself as a preeminent figure in the classical music scene. His recent tours have taken him to prestigious venues such as Carnegie Hall and the Victoria Concert Hall, where his interpretations of classical masterpieces leave listeners spellbound.

With a diverse discography that showcases his artistry, Kavakos continues to expand his repertoire. His latest projects include the much-anticipated 'Beethoven for Three: Symphony No. 1' and 'Op. 70, No. 1 Ghost,' set to release in 2025. Each album reflects his dedication to presenting both well-known and overlooked works, making his catalog a treasure trove for classical music enthusiasts.

Fans of Kavakos will not want to miss his upcoming performance on May 15, 2026, at the prestigious Stern Auditorium / Perelman Stage at Carnegie Hall in New York, NY. Known for his extraordinary ability to connect with audiences, his live shows are a blend of technical prowess and deep emotional resonance, ensuring an unforgettable experience for all attendees.

While specific tour stop details may vary, Kavakos's reputation for delivering riveting performances is consistent across all venues. Each concert is a testament to his mastery of the violin and his ability to interpret complex compositions, making them a must-see for anyone who appreciates classical music.

Kavakos's discography traces a rich artistic journey that highlights his versatility and profound understanding of the violin repertoire. His recent albums, including 'Brahms, Nielsen, Bach' and 'Violin Concertos' released in 2024, showcase a blend of classical giants, illustrating his knack for breathing new life into timeless compositions.

The series 'Beethoven for Three' has become a defining project for Kavakos, with several volumes released in recent years. From the 'Symphony No. 6: Pastorale' to the 'Symphony No. 4 and Op. 97 Archduke,' these recordings not only demonstrate his technical skill but also his commitment to collaborative music-making. Each release is met with anticipation, solidifying his status as a leading voice in contemporary classical music.